These fields include typological approach suggested by Jakobson, sociolinguistics founded by Labov,experimental phonology advocated by Ohala,and mathematical approaches first attempted by Lu Zhiwei,and also a new theory about sound change,the equilibrium-punctuation model, proposed by Dixon.
这些学科包括雅各布森提倡的类型学,拉波夫开创的社会语言学,奥哈拉提倡的实验音系学,陆志韦开创的音韵材料的数学处理,以及接触语言学和迪克森提出的聚变裂变理论。
This dissertation investigates the technical way of composition and its manifestation of American Experiment Music.
本文考察了美国实验音乐的作曲技术路径及其形态，分析了实验音乐所体现的科学主义、反传统和超越艺术边界的观念，试图发现美国实验音乐区别于欧洲先锋音乐的艺术特性，审视其独特的价值观，并思考美国实验音乐的历史局限与哲学启示。
